Sweet music with a flute
,,, Begging
,,, Bells
,,, ,,,
,,, Light
hubbub ,,, ,,,
Mysterious
music ,,,
,,,
-The time,
movement,
,,,
Time and movement,
,,,
The whole turn of the century called for invention,
,,,
Finally photograph
movement and time,
,,,
Marey, Muybridge, Janssen,
Le Prince, Bouly, so many others,
,,,
To say that it was not until 1891 that
Edison and Dickson invented the kinetoscope,
,,,
A few seconds of time on small rollers,
The dark boxes where the 1st films paraded, in America,
,,,
Each spectator, alone,
standing, in front of his dark box,
The first films,
Sweet
music ,,,
So what have the Lumière brothers invented, with Carpentier?
,,,
Well, time photographed,
,,,
Running ,,,
,,, ,,,
Time ,,,
,,,
They projected it on a screen,
,,,
America had invented the first films,
France found cinema,
,,,
Cinema, finally,
,,,
Finally, cinema,
-We have there, in front of us, What the cinema will have to
settle, not because it anticipates it, But that creates the need,
To give a feeling of satisfaction
and above all, no promise that
something can occur in this image,
It is a very picture of a time when the
fairs make nearly two million visitors,
The famous, legendary, presentation of the
Light films at the Grand Café de Paris will
only make just 3,000 visitors in the year,
Compared to that of Bouguereau, Ker
Roussel, this painter Nabi, this
painting promises, in a way, in
representation, that something can arise,
Can arise,
As if the painter had not planned,
We may already be in a film
that does not plan a passerby,
It's the hazard, it's the accident,
It is really the cinema that already exists, we are in 1897,
We already have the melodrama,
Mater Dolorosa, With his supported gaze, who
is sad for this child giving the hand to his father,
Everything is in detail, Naturalism is detail,
The more the characters approach, The more they become clear,
There is a deliberate bias to borrow from the cinema,
Here, not much,
A large white beach, Almost a cinema screen,
Sun fire, On this soil probably dusty,
With this beautiful image geometry, who makes sure ,,,
Show the shadow of the antlers, at the bottom,
However, if we look at carefully, Many things happen there,
This accident for the arrival of
onlookers is suddenly the arrival of spectators,
It is perhaps shadows of onlookers,
walkers, strollers, who look at the
painter who represents this scene,
This work shows, For the first time, not only
the gaze of a painter, But that of the viewers,
Whose shadow is projected into the painting,
Melancholy
music ,,,
,,, She reads in English,
,,,
-Oh ! Laugh
(in English)
,,,
*,,,
-We often said that painters invented photography,
I say: "No, these are the chemists,"
However, one evening in
November, shortly after my
mother's death, I put photos,
I was not hoping to find her,
I knew that, by this fatality which is one of the
excruciating features of mourning, I would have
viewed images, I could never remind me of its features,
Call them, whole, to me,
According to these photos, sometimes,
I recognized a region of his face,
Such a report of the nose, the forehead,
The movement of his arms, with his hands,
I never recognized it only in pieces,
That is to say that I lacked his being,
And that, therefore,
I lacked it all,
Say in front of such a photo: "It's almost her,"
Was more heartbreaking than saying: "It's not at all,"
Almost ,,,
However, there was
always in these photos
of my mother a reserved place,
Preserved,
The clarity of his eyes,
It was only a physical brightness for the moment,
The photographic trace of a color,
The blue-green of its pupils,
But this light was already a kind of
mediation, which led me to an essential identity,
The beloved facial genius,
*-When we photograph a face ,,, Look at me!
*We photograph the soul, behind,
*The photo is the truth, Cinema, 24 times the truth per second,
Sweet
music ,,,
-I remember from the 1st Saturday afternoon when my grandmother took me to the cinema,
-So, I go out
like a young man,
-Yes, -Mmh,
Finally, with Delphine, -Yes,
-I was apprehensive the show to discover,
-You have already been to the cinema? -Yes, with you, granny,
-Yes, I ,,, and you, not yet? -No,
-How forgot you? -No, I watched movies on TV,
-Yeah, -It's true,
It's good, but cinema, You will see, it's different,
So, well, you will put yourself there,
And you, you're going to put yourself there,
-For what ? -The man must be on the street
side, to protect the lady, And as you are
young and brilliant, you have to protect me,
-Good, Mademoiselle, Madame,
-The, take a ticket,
This is a second, THANKS, -THANKS,
-Hold,
Sweet music Indistinct words -Paul!
-THANKS,
Stammering -Pardon,
-What are you making?
-I can I go for candy?
-No, Come on, We sit in the sixth row,
,,, Sixth row
hubbub, I put myself between you two,
,,, ,,,
Sit well,
,,,
(-Ça va commencer quand ?) -Al immediately, there,
-Is frozen chocolates,
-Ad once, I was in the cinema, suddenly,
The image was completely distorted,
I found it beautiful,
What I didn't know was that ,,,
The film had blocked in the projector,
And the light, very strong, burned the film, you see?
SO,,,
(Hush, it's going to start there,)
*Spy
music *,,,
What are you looking at? It is in the other direction,
(-Yes I know,) -Chout!
(-It to look at the screen,)
*,,,
Are you okay?
(-Yes yes,)
*,,,
(You like?)
-Yes, (-Ah,)
*,,,
-I must go pee, Where is it?
(-Already ?) -Chout!
-Yes,
(-I accompanied you?) -Silence !
(-No, it's good,) -Chout!
(-So, it's there, Basically, you see?)
(There is a small door,) -Silence !
*,,,
*,,, Flush
*,,,
*-It's me,
*Fantômas,
*,,,
*You will never know my true face,
*Under this mask, Nobody will never know him,
*,,,
*You allowed yourself to write an article on me
*in which you ridicule me,
*You make me
*A whimsical!
*Combat Burst
*Fight
*,,, *,,,
Smurked start
*Greeting *Pain moan
*never forget that
forever, You belong to me,
(-Mamy, can we go?) -Chout!
(-Wait a little, Less strong,) -I I'm afraid,
-Chout!
-My your eyes, a little bit, it will pass, it will be softer, Afterwards, you will see,
-Mamie, let's go, I'm afraid, -Ak you,
(-Cout, my darling, We will have to go,)
(-For what ?) (-The film is very scary to your sister,)
(-I stay,)
(-You not left here alone,) -Chout!
(-You, you go, I stay,)
-What nice, take your jacket,
-No, -Ak you!
(-We see nothing,)
*Agitation *-CUNE A
concern, But what happened?
-Wey ,,, I no longer remember the first film,
-I will say, already, in utero,
I use this expression because it was in my mother's
belly and she spoke to me, in particular, of Moby Dick,
This is the 1st film I saw,
-It goes back a little far, The first film I
saw, I was between 13 and 14 years old,
I saw, for the first time, The battle
of Algiers, Pontecorvo, in the village,
My 1st time in the cinema,
And I saw the scene, and as my family
lived a lot of torture during the
Algerian war, I was afraid, very, very afraid,
-I think that the exorcist is the film that terrified me the most,
-Ith happened to go see a Korean film,
return to Busang, last year or two years ago,
I had not seen that it was horror, I didn't like it,
This is not what I prefer,
-I love it, but with friends, Because all alone ,,,
We are afraid alone, it is useless,
With friends, we can laugh, be afraid between us,
-I'm not a leader of the first row,
Uh, I like to have the vision, too, of
the spectators who are in the room,
-The environment is important, I see the right side and the left,
I don't like to be on one side, Neither everything in front nor everything behind,
In principle, perhaps everything behind, But my usual place is in the middle,
It's my little place to me,
-Aux, on the side,
Maybe in the fifth row, from the bottom,
And ,,, on the side,
I don't know, that's where
I sit, Laugh at the back,
I need to see well, That nobody bothers,
It's more than I will choose in relation to the seats ,,,
With empty seats,
Because I need, on the screen, Really, to see everything,
-Pile in the middle, it's fine,
-In action movies that I really
loved, there is Largo Winch,
That I deeply appreciated,
Obviously, the mission impossible, The James Bond,
In romantic films, Les
Demoiselles de Rochefort,
This film deeply marked me,
-I saw Licorice Pizza of Paul Thomas Anderson
twice because my father had not yet seen it,
Otherwise, that's almost everything,
-I once saw choum in the cinema and once choum at home,
-What was it?
-Choum,
-I saw it several times, To understand,
It is infernal affairs, With Andy Lau and Tony Leung,
I looked in original version, at first,
Afterwards, in English, I discovered other things,
Afterwards, action movies, too,
Die Hard, I saw him several times,
I looked for friends to go and get it back,
-This year, I noted all the films that I have seen since January 1, 2023,
There, we are at the end of July, I have practically about fifty,
-It's sure, I have already cried in the cinema,
I think, repeatedly, of which I have no specific memories,
-Putitis, I criticized my crying mom,
The more I grow up, the
more I cry at the first sad thing,
And my mom laughs,
-I often happen to cry in the cinema,
I remember, When I saw the bicycle thief,
So, Embarrassed
laughter -mmh,
No, I never cried in a cinema,
-The cinema is stronger than my life,
I go there to live what I
don't have time to live,
I go there to experience intense emotions,
-My Fetish film is Fanny and Alexandre, from Bergman,
A film that I discovered at 20 years old, I was a cinema opener,
This film, for me, It's all emotions,
Everything is tackled, it's sumptuous,
-There is always a little anecdote, in each superhero,
It's not the superpowers, But character,
values, wanting to protect people,
This is what attracts me, It's not superpowers,
-I didn't know that was it,
I had never seen ,,, I had seen films, full, but it is
the difference between the boom, who is nice, and, six
months later, to our loves, who got me off, But discalmed,
-I had gone to see West Side Story, The 2nd version, in the cinema,
And,,,
Yes, I think it's really the only film where ,,,
I already knew the story, But he really super moved me,
And it really ,,,
It made me want to write musicals,
Even if I knew the story by heart, it's my favorite film,
I knew Tony was going to die, But I still cried, and everything,
I was ,,, really passionate about the film,
It was really the session that marked me the most,
So,
Slight hubbub
,,,
,,, Tickle
,,, Interview in English
,,, ,,,
Tickle Catchy music
,,, ,,,
,,, Laughter
,,, ,,,
,,, Tickle
,,, ,,,
Hubbub
,,,
,,, ,,,
Catchy music Tickle
,,, ,,,
,,, Joyful
,,,
-It has nothing to do,
-Yeah, no, but there, Still, lately ,,,
-Erwin Panofsky says things as follows,
"The material of films is reality as such,
"Reality as Such,
Mysterious music
Bazin still uses the same idea,
"Cinema has the obligation to mean
"by the only intermediary of reality,
,,,
A photograph is always a photograph of reality,
If we add to that
that cinema is a means of expression where the photographic image is projected
and collected on a screen,
Our question becomes:
What happens to reality
When is it projected?
-The reality, It is the somewhat organized real,
-But,,, -You freezes the text,
-I do not try ,,, -Figer the meaning,
-I freeze nothing at all, -You have your work,
-I kill anything, You talk like a machine gun,
-How don't mind? They speak very hard,
-Ah, no, everything is fine, -Pardon,
-We prevent you from working,
-Bah, no, no, no problem,
-What are you reading?
-Stanley Cavell, The World Viewed,
-It's too funny, We study this text, Right now, in progress,
-Yes, this is the French translation,
-You read it in English? -Euh, yes,
-You understand everything? -Euh ,,,
Not really everything, But still, a little bit,
-You are a little wedged, anyway, -Yeah,
-Do you can question you?
-Yes, of course, that's my job,
-I often ask me, When I go to the movies ,,,
Melancholy music
Why I feel like I remember life,
-It's you who go to the movies, It's your life,
will be part of your experience,
And you also say that you remember,
So that means that, in the end,
Films are part of your memories of life,
Exactly like ,,,
Real memories,
-But for example, When I go to the movies,
the day, or anytime, in fact,
Uh ,,,
All daily life stops,
And the world is suspended,
-It appears you in his evidence and his obstinacy,
-Fur, that's it, The world's worldwide?
Is it the world that is obstinate?
-I don't know if the world is,
What is in the cinema is that we have something, like a photograph,
This is what Cavell will say, Cinema is a photographic art,
That is to say, there will be, in fact,
A direct image of the world, The world will print directly
by a technical means,
On a film, with a camera,
-But in the cinema,
I have knowledge of the world?
Because, finally ,,,
I don't go to the movies to see real life,
Is it a means of knowledge or an illusion?
-Cavell, in the middle of the text, wrote
that the material of films, It is reality,
But what is reality, in a film?
-In fact, it's not Cavell who says that, It's Bazin, It's André Bazin,
Who will say that, indeed, what characterizes cinema,
is that there is this reality as such,
He does not completely agree, Reality, for him,
It is not just recorded, It will be projected,
On screen, You see it,
And therefore, this projection,
She will, in reality, give you something else, huh,
What he calls photogenesis,
The world will also be recreated,
Because it is on this screen,
You will see what is important or not,
-I have the intuition that going to the cinema helps me to live better,
I am right or wrong?
-Well sure, fortunately,
Fortunately, cinema helps to live better, of course,
First, it's true that it allows ,,,
We all have films that allowed us to spend difficult times,
That change life,
And these are films that allow you to progress, to transform you,
And above all, to focus on what is important or not,
In life, It is not always possible,
And the cinema puts you in the presence of what is important,
As characters, as moments,
And so, it also allows you to reclaim ,,,
to reclaim the world,
When we leave the cinema,
Well, we are again, in fact, reconciled with the world,
Sweet music
-How do I know if I am awake or sleep?
-There is nothing that will tell you in the very experience,
You can't know it,
But if you ask this question,
You are that you are awake,
Sweet music
,,,
-What happens to reality when it is projected?
,,,
To Cavell's question, You have to find an answer, answers,
,,,
Well, reality,
She sparkles,
,,,
First, the Quiete image is deposited
Rail transport of the time in France,
,,,
We know the legend, January 25, 1896, in Lyon,
In the Lumière Cinematographer Salle,
the terror of spectators in front of the entrance to the train to the station,
frightened that this train does not crush them,
,,,
Did the spectators really run away from the room?
,,, Small stifled cries
Behind this train, I guess another image,
And this one is mythology,
Locomotive, like a minotaur, is inexorably approaches us,
For our dread, our pleasure,
And the whole platform turns into a labyrinth,
,,,
The Quai de la Ciotat, A matte summer of 1895, that train ,,,
,,,
I'm also on Balbec's train,
,,,
What an exact image of Proust search
Otherwise the Champs-Élysées, filmed the same year,
When Marcel fell out from Gilberte,
,,,
Documentary truth ,,,
,,,
Mythology,,,
,,,
Fragments of novel ,,,
,,,
We are also in front of the metaphor of a sexual intercourse, feared,
expected,
Obscenity of another dread,
,,,
One day, an operator hung his camera in front of a locomotive,
To enter the tunnel and film what does not represent,
The camera records reality,
It makes us meaning,
,,,
The modern world, Baudelaire had touched its heart, and it is boredom,
,,,
The Lumière brothers machine projected this modern world on a screen,
What happens to reality when it is projected?
Well, She sparkles with meanings,
,,,
Finally, the world means,
,,,
Finally, the world is overflowing with meanings,
,,,
Finally, the world means,
,,,
Mysterious music Slight hubbub
,,, ,,,
,,, Bell
,,, Slight hubbub
,,, ,,,
At fourteen, I went to Lille, Alone, in tram,
I was very proud of my audacity,
I decided to cheat on my age to buy my movie place,
,,, ,,,
Uh, hello,
-Good morning,
-I come to take a place for cries and whispers,
-You are all alone?
-Yes, -How old are you ?
-I am 16 years old,
-Al, 11 francs,
-Pas of money,
-It doesn't matter,
-THANKS,
Coins
-The room on the right, -Mmh, Right,
Thank you so much, -You will get bored,
*(In Swedish)
*,,,
-Cris and whispers was my 1st Bergman on screen,
The faces of women were immense, like landscapes,
*,,,
I was finally smaller than the images I watched,
*,,,
I had found my house,
*Soft music
*,,,
At Cimino, American landscapes were immense, like faces,
*Mystical music
We, the cathedrals, They, the Grand Canyon and Monument Valley,
*,,,
My stupor in front of the restored copy of Deer Hunter,
In 2013, to the great action,
*,,,
The world seemed to be overflowing from the screen,
*,,,
Dramatic music
,,,
Because, from Alice Guy,
For the first time, The water movement could be shown,
For the first time, The crowd could be shown,
And overflows us,
,,,
Because the crowd we are has the movements of the water,
Finally, we appeared on the screen,
,,,
,,, Slight hubbub
,,, ,,,
,,,
Because the camera knows how to record the snow,
Abel Gance filmed Bonaparte's battle,
,,,
,,, Cries
Because the cinema knew how to record the snow,
Melville launched the Dargelos ball,
Who strikes Paul in the heart,
,,,
Melancholy music
Because vertigo can be filmed,
,,,
,,, ,,,
,,,
Because water can be filmed,
,,,
Because fire can be filmed,
,,,
,,, Blast
,,,
Because any gesture is an action,
,,, ,,,
,,, Shots
,,, Glass breakage
,,, ,,,
,,,
We were able to be the Shakespeare soldiers,
They were no longer on a scene or enclosure in a setting,
We were now these soldiers,
,,,
It is we who brandish the sword,
horses horses,
,,,
We waged from tree to tree,
The saber extended our arm,
,,, Groan
,,,
,,, Shot
,,,
We were able to attack banks,
,,,
,,, Cries
,,, ,,,
Have a train derail,
,,,
,,, Blast
,,, ,,,
,,,
,,, Whistle
,,, Crash
,,,
Pilot planes,
,,,
Brandish defense weapons, School shields,
,,,
Because cinema replaces our eyes
A world that agrees with our desires,
We greeted Idoles with Trums,
Thrones constelled with luminous jewels,
worked palates including the magical pump
It would be a ruinous dream for your bankers,
Costumes that are a drunkenness for the eyes,
Women whose teeth and nails are dyed,
And learned jugglers that the snake caresses,
And then, and then again,
O, childish brains,
,,, Trembling
The screen gave us the world in spectacle,
Roar
Groan
Crash
,,, Blast
,,, ,,,
,,,
Whispering
,,,
Shy laughter A student laughs,
We hit, Door
-Ah,
-It's for Paul Dédalus,
-Euh, please, sir,
Pardon,
Can I go? It's for the Ciné-Club,
-So go for it, dedalus, -Thank you so much,
Whispering
(Ok)
(Good luck,)
-Mmh,
Choir in the distance
,,,
-Ok, Hop, THANKS, Laughing
Oh yes,
-How are you ?
-Yes,
THANKS,
Thank you so much,
-Come on,
-Mmh,
He blows,
,,,
School bell -It's not a success,
There is almost no one,
-But the film is not bad,
-But where
Did you find such a movie? What is the name?
Small bouquets? -The small daisies,
It is written on the poster, -It's horrible!
-You love the Bulgarian films, -It will start,
-THANKS, -HI,
-It's a Czech film, -It's the same,
-And you found it where, the film?
-In Sadoul,
-What is Sadoul?
-It's a,,,
A book,
A book of my father, It's a kind
of the history of cinema, with photos and explanations of important films,
-Moise, I'm going to help you,
The film begins in 10 min, Hurry up !
A Russian or Bulgarian film, -Thecheque!
-So, Small bouquets, -Marguerites!
Laugh -You go to love it,
You will not see it on TV, take advantage of it,
And above all, when you love life, We go to the cinema,
-I have heard nothing so stupid, -You do not like life?
-I don't know, I'm wary,
He groans, I prefer films,
-You boring, my friend, -But I know,
My fellow man, my brother,
Slight hubbub
Uh ,,, -Chout!
-Yeah, thank you,
Pardon, I present the film to you,
I haven't seen it, but I'm going to tell you what I know,
So it's called ,,, Thank you,
Little Marguerites, Made in 1966 by Věra Chytilová,
So she is a Czech director,
She did a film school in Prague,
There, she saw Shadows of Cassavetes,
An important film in the United States, that I have not seen,
Hubbub
But that's it, -Dit!
-With this film, She discovers an appetite for freedom,
She invents shapes, colors, She rejects realism,
I hope we will see that,
The film is prohibited by censorship,
And then, bah, two years later, It is the Printemps de Prague,
The Russians invade the city,
Many artists flee, Others are thrown into prison, tortured,
And then, well here, it's ,,,
The revolt is crushed,
So, Good projection,
-You want help?
-No, thank you, it's over,
Rolling
,,, *Dramatic music
,,,
*Trinting
*,,,
Rolling *(In Czech)
,,, *,,,
Don't you want to go see the movie there?
-I prefer to stay with you,
,,, *,,,
-Thile here, you will see better,
,,, *,,,
It's good ?
,,, *,,,
*,,, *GRINSATIONS
Cymbals
-Hamilia and offended,
It is the fate of the unloved that we had in sharing,
I hold for a promise that the cinema was invented first
For underprivileged and children,
For those who cannot read,
Sobs and coughs
,,,
I remember the European prostitute 51,
who coughing blood,
She coughs,
Disturbing music
Children sing,
,,,
I remember the fly that refused to sing,
,,,
Piano
Sad music Someone coughs,
How to look for a bed to avoid the street?
,,,
,,, (In English)
The films have continued to welcome the vanquished,
,,,
Since Griffith, there is a fault that keeps haunting me,
The ignored Indian face,
Rhythmic tribal music
,,,
We can only really film the one we recognize,
,,,
Recognize,
,,,
,,, Indians cry,
,,, ,,,
In the Cheyennes, It was Ford's task
to recognize the face of the vanquished standing in front of his camera,
,,, ,,,
Ford finally filmed in full light
a people
parked in the shadows,
*Slow music Slight hubbub
*,,, ,,,
(In English) -I not remember well
from my childhood,
After my mother's death, or even before ,,,
That's why I am happy to have come to Los Angeles,
All my life, I dreamed of getting married in church
In a beautiful dress,
With not too many people ,,,
But I want to get married in church and be blessed,
-How is the baby going?
-You want to feel it?
Lay your hand there,
-It move,
Laugh -It gave me a kick,
-It jumps, Laughter
-I knew Misty Upham,
His death was a bottomless sorrow,
Misty was born in Kalispell, Montana,
She was Blackfeet,
Sweet music (In English)
The evening I learned his death, I was thinking of Marilyn Monroe,
Because in these two actresses, The meaning of the tragic and the lively wounds
had been able to transform into donations,
Joy, suffering, innocence, savagery, Mixed ,,,
Each of their tremors,
(In English)
In Frozen River, A line had dazzled me,
Blind, Lila was solid like a rock,
,,,
Her blindness protected her,
Because, sometimes, you have to close your eyes in front of the rampage of the world,
,,,
With glasses, suddenly healed, Lila was shaking with helplessness,
It is a hard work to transform our fears into art,
And the vulnerability of Misty, born in an Indian reserve,
was an Indian triumph,
When you have nothing left, Otherwise pride
and the certainty of being a great actress,
,,,
Misty offered us the childhood she had not had,
I said, Marilyn,
,,,
Emily Dickinson would need a quatrain
To sing the death of Misty Upham,
"If I Souldn't be Alive When the Robins Come
"Give the One in Red Cravat A Memorial Crumb
,,,
I struggle to find this crumb "memorial",
,,,
I would like Misty to be asleep, that she wakes up
And that we were playing together,
,,,
Sweet music -Bah, yes,
,,,
I would suit things well, -I don't know what to do,
Laugh I can't let it go,
-Ah, it's complicated,
Laugh -Yes, it's complicated,
-And if I tear it to you? -M don't tear it away!
,,,
Peggy Sue, Peggy Sue We will never come back
-Ah no, there, it's over
-We come back tomorrow?
-Andes,
Sorry, excuse me,
It's Paul, This is the type of evening,
It's him, right?
-Yes, Come, we don't mind,
-He will make us come back, -We go to you,
-We will see him, -Bah, no,
-Bah, yes, wait, -Pardon,
-Excuse us, We know someone, in fact,
But we know someone,
Ouh, there! Sorry, madam, Excuse me, Laugh
Pardon,
-Is cinema is a secret or public place?
-Pardon, -A erotic place,
-Paul, Do you recognize me?
Valérie, a friend of Sylvia,
-Vallerie, of course, -We saw each other in the evening,
-I remember a projection of a coppola where I met, embarrassed,
Two young women in the queue,
I knew them, I had an impossible adventure with one,
-It's rude to overcome,
-It go, we know him, -Good morning,
-Do it doesn't bother?
-No not at all,
-Are you doing well ?
-Yes,
-Nathan comes? -No, he works,
-Ah, yes, its partials,
-Bah, yes,
-It's nice to see you,
-The me too, -We came out between girls,
We come to flirt, -Shut up,
Laugh
-Do you go to see the Coppola? -The review,
-What have you ever seen the film? -Yes, yesterday,
-You go back? -I like to see them several times,
-Combian of times? -Three times,
-This time! -But why?
-The first time, to discover,
The second, to admire,
And then to learn,
-So, do you come?
-You come? Middle, 3rd row,
-No, not in the middle of the room, On the side, 7th row, 2nd seat,
-Good, see you later,
-See you later,
(-Pardon,)
(He looks at you,) (-Top,)
(-It is very cute,)
Tongue snap (-T’es boring,)
(-Cuckoo,)
How are you ?
Does he know? -What ?
Sigh
-He really revised?
-But yes,
-Ok, Did you know Paul came? -Bah, no,
Whispering
,,,
Sigh
Hubbub
,,,
He blows,
-So you liked it?
-I adore,
-Well, do you like it?
-It makes me cry,
-I never cry in the cinema, I find it stupid,
-Me, I sometimes cry, The film, I loved it,
Hey, cover yourself, Look at him,
Laughter
You are soaked! Look at,
He's going to die of cold,
Are we going to drink a coffee all three?
No ?
-I must go,
Hi,
-Hi,
-I see you tomorrow?
-Good,,,
-A glass? -If you know a place, yes,
-I know one,
*Pop music
-At the projection,
I had an equally impossible adventure with the 2nd young woman,
*,,,
-So, therefore, Do you love Francis Ford Coppola?
-Yes, I admire it,
He counts for me,
-Oh,,,
Are you passionate?
-Yes, -Yes,
A little bit, -Yes, I think,
*Small pop music
-Andes,
Could you look? -Yeah, don't move,
I get it,
-Do you have fabric handkerchiefs? Laughter
-Is do old? Province ?
-No, it's adorable,
*,,,
Yes, let's go,
*Pop music
*,,,
How do we do it?
-How what?
-I never kissed the 1st,
-Me neither, Never,
-Never ? -Mmh,
Girls take the first step, It is a principle, I am too shy,
-So, we are stuck, -Yes, but ,,,
You can do a shifumi,
-It's what ? -Pierre-Feuille-Ciseaux,
-Yeah,
-This losing kissing,
Rake or not rake, We respect the rule,
-Ok, but you're going to lose,
-What you say, that you say ,,,
Pouring rain
,,,
Rock,,,
-LEAF, -Scissors,
-ROCK, -Seaux,
-I think you're going to have audacity,
*,,,
-Se you like it, Sylvia, -I can't say it,
I don't know,
*,,,
She is not very free,
Laugh You either,
You are not very free, -It, that's for sure,
But I have temperament,
*,,,
*,,, Pouring rain
*,,, Thunderstorm
*,,,
*,,, Laughter
-This will make the night quiet, I presume,
-That ?
I like peace when I rest,
I am very picky on this subject, The tears, it annoys me,
Behind the walls of Jericho!
Not as thick as those that Joshua destroyed with his trumpet,
But much safer,
You see ,,,
I don't have a trumpet,
To show you my best intentions,
I give you my best pajamas,
Do you want to join the Israelites?
You don't want to?
-Clark Gable hands the blanket like a wall between them,
Claudette Colbert will join the Israelites camp,
Immediately, the coverage will become
A wall on which we project a desired union,
(In English)
-What will Joshua play the trumpet
that the walls of Jericho collapse?
,,,
-Who are you ?
,,,
-Who I'm?
I am the nightingale that cries in the night,
,,,
And Jericho went,
Sweet music (In English)
,,, ,,,
-In morning, Julia Roberts and Hugh Grant wake up in white sheets,
,,,
"Why are men obsessed with nudity, breasts?
,,,
"Why do you interest you so much?
,,,
"These are just breasts,
"Half of humanity has it,
,,,
William Thacker will slip soon
To look under the sheet hiding Anna Scott's nudity,
Who has ever seen Julia Roberts Naked?
Of a small gesture, Hugh Grant lifts the sheet,
Enough,
Pass the head,
And he sees,
,,,
Hugh Grant suddenly becomes man
who will have seen the breasts of Julia Roberts,
We haven't seen anything,
But sheets are the screen on which we project
the chest that is stolen from us,
,,,
Because the screen reveals
And white sheets are the metaphor,
On the screen, a pure cinema miracle,
The glory of Julia Roberts's smile offered
Or a tear at the corner of Claudette Colbert's eye,
,,,
In Censier, Pascal Kané drew before us, his students,
The scheme of the three democratic devices of the show,
The teacher writes on the board,
-Ibord, the theater,
Greek theater,
The city regime, 300 or 400 years before Jesus Christ,
In Athenian democracy, Each vote was unique,
Well, in the theater, Each seat will be unique,
Here,
The point of view of each spectator is singular,
Irreplaceable,
Look,
Such spectator sees the back of man and tears
On the woman's face,
Another other sees them both in profile,
Another other ,,,
A wide plan,
If a spectator, only one,
is absent such evening of such representation,
his point of view, His viewing angle on the show
will be lost forever,
For humanity,
Much later
The industrial revolution arrives,
Therefore, representative democracy, So cinema,
The spectacle is no longer that of a city but that of a nation,
A nation that is invented, Think of America,
Ford, the USSR, Eisenstein,
Italy, Rossellini,
Taiwan, Hong Kong, At the size of a city, Nation is dreaming,
Kung-Fu films,
Have you ever seen it? Laughter
In the cinema,
Each spectator buys their ticket,
like a ballot,
Thus, each spectator delegates his point of view
to the filmmaker,
In a cinema room,
We all share a point of view,
The one that was recorded by the camera,
-Au theater, we are alone, In the cinema, several,
Finally, together, what,
Is that it? -No, you misunderstood,
-No, -Contre-sens,
-Well,,, Laughing
If we go to a room, It is to be with others,
In the theater too, Otherwise, there is TV,
Stammering -Do you already saw a deserted room?
Whisper
Me, yes,
Morning sessions,
The projectionist does not stop his projector,
If you come with a companion or a companion,
In an empty theater room, To see, let's put ,,,
The winter, Shakespeare tale, Laughter
Twenty actors on the stage, The curtain opens, you are only two,
They will tell you it's not worth it,
,,, The representation is suspended,
In the cinema,
No obstacle,
Whether you are 3 or 300 in the room, The show will take place,
In the cinema, finally,
We can be alone,
Because the system even allows,
In a room,
Everyone is entitled to their loneliness
and anonymity,
It is modern democracy,
What happens after this democracy,
It's television,
Now we are each isolated or with a family,
in front of a terminal,
Several channels give access to what is happening elsewhere,
Nothing happens at home,
But you watch what's going on elsewhere,
On such a channel, There is a classic film, a soap opera,
Uh, games,
songs, sport, news, never mind,
It's a flow,
-Are right to think of Guy Debord?
-Yes,
Great, Guy Debord, yes,
In front of the post, everyone,
We watch the world, But it is an illusion of power,
We belong to the supervisory democracy,
The video camera, she watches,
-Sir ? -Yes,
-St is still a show?
-Ah,
Well, not really,
It is a medium,
Or a tool,
Today, We live in the whole planet,
And yet,
We live so badly,
The power won over the images had its tribute,
The images no longer belong to anyone,
Sad music
,,,
-Ah, that's good, -I pique your pawn,
-You can build there, - All right,
*,,,
-Eh bah, me ,,,
-How are you ?
-Sell you, I take care of it, -No, don't move,
-THANKS,
Uh ,,, -You know,
You can do that like that,
-Bonne Idea, that,
*,,,
Alright, Well, me ,,,
-Wait, I help you,
-No thank you, Stéphanie,
-Oh, what a beautiful pie!
-N'exagorate,
*,,,
Is it going well?
-Do you come to see us afterwards?
-Yes, okay,
*Disturbing music
What are you looking at?
-When he sees white,
He goes crazy,
-And do you like that?
-Yes,
*,,,
-Andets,
He has a razor in his hand, -Yes,
-But it's scary!
*,,,
But tell me, he ,,,
He will slaughter him there,
-We don't know,
*,,,
-You saw, there?
Don't you want to go and do your school homework?
-I will do it later,
-You will tell me about the end, And if you scare you too much,
I am here with your sister
and your father, *Movie
*,,,
-Al, Paul, come and play with me!
-Lake me!
Brother Boude,
*,,,
-You dead! He imitates a detonation,
-Lake me! He growls,
,,, -Paul,
Be kind to your brother,
*,,,
-It's a champion, -I must protect it,
-Fidèle, are you coming? -No, I don't want to!
*,,,
-Low that and like that,
-Hear darling, your brother looks at his film,
He will play with you afterwards, You come?
We look at your sister, she beat your father,
*-In my childhood ,,,
*,,, Mixed
*I killed my brother!
Smurked start
*,,, -Paul,
-No !
-No, no, no, -Oh, there, there!
Glass tingling
-Paul!
*-No, I didn't kill him, It was an accident!
*Religious songs
*,,, *Aboiements
*,,,
*,,, *,,,
*Television
*,,,
-But finally, Paul!
-I woke up,
-Oh, no,
You are barefoot, It's not reasonable,
-Soch yourself,
-There will catch cold, A moment on dad's knees,
And then in bed, -Al, come,
-It's what ?
-The biggest filmmaker in the world,
-For what ?
-Bah, I don't know,
Look at,
*(In the Scandinavian language)
*,,,
Slight hubbub
,,,
-U leaving spring 1985,
I live Shoah for the first time,
It was at 3 Luxembourg,
We were little in the room,
We discovered the film for its 1st French release,
The projection was spread over two days,
With an intermission between the two parts of each era,
I was 24 years old,
,,,
A friend accompanied me,
That I say here his name: Pierre Hanau,
,,,
In the afternoon, The room was not full,
Many elderly people,
"Jews?" I asked, I who was born Christian,
Sometimes during the projection,
We heard a man 3rd row scream from the room:
"It was like that! Dark! Salauds!
My life was changed radically, in 9 hours of projection,
From what I had seen, finally,
I owe an article by Shoshana Felman
to understand what had happened for me,
That day, in this room,
Shoshana Felman had been able to appease my sobs,
She saved my life, without knowing it,
I made the trip to Tel Aviv to thank her,
37 years later,
-I wanted to be able to explain what had touched me so much,
-Mmh, -The whole world was speechless,
She hesitates,
It's amazing, surprising,
I think you lose your words,
One of the things that happens
is that you cannot believe it,
You lose your words because it's traumatic,
A person told Lanzmann
that there are no films on the holocaust from the point of view of the victims,
That's what he tried to do,
set a whole portrait
From the point of view of the victims, the Jews,
When this idea was submitted to him
by the Israeli Ministry of Foreign Affairs ,,,
We told him that ,,,
It is not a film on the holocaust,
It is a film that is the holocaust,
He really created an event,
Because he did it in the present,
He didn't want it to be ,,, -YEAH,
-A thing of the past for them,
But one thing of the present for us,
-They destroyed the premises, the ovens ,,, -Right,
-They have destroyed everything,
There is no paper left, nothing ,,,
They destroyed the victims, -Yes,
Bodies, -The bodies,
You know,
What can we film? -Mmh,
-Lanzmann found a way thanks to the tools of cinema ,,,
-The landscapes of the premises of extermination,
He gathered the witnesses to the premises of the extermination,
Srebnik says:
"No one can understand it, Not even me here,
"It's incredible that I am here,
"But no one can understand it,
I think Lanzmann agreed,
It is impossible to really understand,
The atrocities of the Nazis are not understandable,
After seeing the film,
I made a subject of teaching,
"Literature as a testimony",
Now, you know ,,,
Bring a testimony as one of the functions of art,
With the power of art,
He succeeded thanks to the power of art,
With an almost philosophical construction of the film,
-It's terribly difficult to testify
of something that is beyond our imagination,
-Yes, yes,
-And it was the Nazis trap,
-Yes, -That was ,,,
-It's why they couldn't believe it,
In Lanzmann's film on Karski,
The Jewish judge of the American Supreme Court
said :
"I don't say you're lying, But I don't believe you,
While he was Jewish,
Even the Jews did not believe it,
-I remember that he had written a mysterious sentence in an interview,
- When I read it, I was amazed -
he said
that he could not save the victims, He arrived afterwards,
-YEAH,
-But he could accompany them in death
so as not to let them die alone,
-Right, It's very beautiful,
-It's inherently, -YEAH,
I think the work of art is testifies,
Lanzmann's work is a testimony,
-YEAH,
-It acts as a testimony,
But he says: "There is no theory,
"No conclusion
"And it's not over,
-I have a photo of this scene which is ,,,
Even the photo is frightening,
-YEAH, -You Know ,,,
He is surrounded, in front of the church,
by all the men of the village,
women, village men,
And he had crossed the village,
All the Poles knew the killings,
-And they heard him sing, He doesn't speak, they speak,
-They Speak,
-It just smiled,
He has a fantastic smile, -YEAH,
-It has a tragic face,
He is a magnificent man,
Srebnik smiles, All this time, it is silent,
My interpretation was ,,,
Srebnik becomes a witness for the first time,
He said, "When I was a child, It didn't affect me,
"Because everything I have always seen was corpses,
"Nothing affected me,
He becomes a conscious witness, NOW,
From what happened to him as a child,
Because now it affects it,
Child, he was unconscious,
-30 years after reading you for the first time,
I made
That maybe I started to find a few words thanks to you,
-THANKS, -It's why I made this trip,
There is a useful word in French, which is "gratitude",
Thank you, you are very ,,,
Nice and generous with me,
-In October, Shoah was distributed again,
I was in the endless line
in front of the Saint-Germain,
The film was an earthquake,
A man enters the field, Simon Srebnik,
The director walks by his side, He protects it,
Simon stops and looks at the pasture,
"JA, DAS IST DAS Platz,
"Yes, that's the place,
The sentence is in the present, It is essential,
Every Shoah is combined in the present,
However, on the screen, With the strength of a hallucination,
We appear a terrible past, Something is given to us,
Slight hubbub
,,,
Following Pierre Vidal-Naquet, We repeat:
Claude brought in history the teaching of Proust,
The search for time lost as lost time and found
everything at once,
,,,
There is Proust, There is Picasso,
which I have often thought of, About Claude,
The Demoiselles d'Avignon, melting modern art,
And Guernica, of course,
There is Lanzmann,
Very few names in these creators
who knew how to draw the card,
Man?
One day, I wrote to him and he welcomed me,
He was as tall as the filmmaker,
I liked it, I love it, I cry,
He was crazy, he was reasonable,
He was a brutal bear, He was also of infinite tenderness,
Claude liked to cry,
*Soft music Scraps of voice
I remember the image so beautiful, told one evening then read
In the Patagonian hare,
Sartre and Lanzmann both crying in a cinema,
Before only the angels have wings,
Claude made each of us a witness,
It is unique in the history of art,
Today, In front of his grave, I know this,
French, European, born in 1960,
The destruction of the Jews has always been at the center of my life,
I read too much, and badly, I was trying to learn,
Cinema alone, I expected an answer,
This answer came, I welcomed it, that's all,
I needed Shoah and his tremendous power of incarnation
to take the measure of the world I was inheritine,
of the art that I embed, -I got advised, recently,
that the production of this film,
And it was a very, very long war,
lasted almost as much as the Nazi era,
Hubbub
-There is so long!
Laughter
Glad to see you, For how many years? Three ?
-No, no, -No?
-Two,
Ok, fine, -Two,
-I have some questions, -Ok,
-Truffaut said one day ,,,
Truffaut was talking about lost secret
filmmakers who have known silent cinema in their youth,
Certainly, He thought of Hitchcock and Lubitsch,
They knew something about the cinema that may have disappeared with them,
I thought of Lanzmann who had filmed Why Israel and Shoah in 16 mm,
Has the secret disappeared with the great masters?
I visited Kent Jones in New York
To tell me again a story of the Baal Shem Tov,
-What goes history,
And that's how Godard was just starting for me,
The Baal Shem Tov was called
Because the Jewish people were in danger,
So he went to the forest,
A sacred place in the forest,
He lit the sacred fire,
He said prayer
And the miracle was accomplished,
People were saved,
A generation later,
his disciple,
And I don't remember the name of the disciples,
was called again to save the Jewish people,
who was still in danger,
Which is constant obviously for the Jews,
So he went to the forest,
He turned on the flame, He no longer remembered prayer,
But because he had found the place
and that he had lit the sacred fire,
The miracle was accomplished and the Jews were saved,
When his disciple arrived, Faced with the same situation ,,,
-The disciple of the disciple? -Exactly,
He went to the forest,
He did not remember how to turn on the fire,
nor how to say prayer
But because he knew the place in the forest,
The miracle was accomplished,
When the disciple of this disciple
was again confronted with the same situation,
He did not know the place in the forest,
nor prayer,
nor how to turn on the sacred fire,
But he knew how to tell the story,
As he knew how to tell the story, The miracle was accomplished,
We could therefore wonder, he will come for a moment
Where will someone will no longer remember how to tell the story?
I don't think,
-We know the story, -Yes,
Sometimes it may seem that history has been lost,
But it can always be found and told again,
We can think of many examples to illustrate it,
So I think it's a hope,
I have always loved this tale,
-Ar is there a film you saw
Who led you to the possibility of making a film?
You, Kent Jones,
-I have no answer,
But the only way for me to answer,
It's when I saw the wild horde ,,,
-The wild horde? -De Sam Peckinpah,
When,,,
William Holden, Ernest Borgnine, Warren Oates and all the gang
say they want to recover their man,
The one that the bandits had caught,
And,,,
His name is Angel, Interpreted by Jaime Sánchez,
The bandit says, "Do you want Angel? Ok, you can have Angel,
So he catches it,
The guy had been beaten to death,
He raises her head,
Take a knife and ,,,
This causes
A series of cuts
where you see Ernest Borgnine Bouche,
William Holden ,,,
They look around and then it's the end,
The battle begins, They know they are all going to die,
When I saw this scene, I thought:
I would have liked to lead it!
Sweet music They laugh,
,,,
-I was already 28 years old, And I thought I failed in the cinema,
-Finally ! -Ben, yes,
I had not entered what I call the question of cinema,
It's not an answer, But a question,
A way to question art, the world, -Mmh,
-I had seen so many films that I was lost,
I decided to see the classics again,
-Ah,
,,,
-Truffaut was dead when I went to Max Linder
revoir Les 400 coups, that I thought I knew,
His films, I had badly seen them,
-Mmh, -I could not bang me on their angles,
-What ? -The must bang
On a film,
I haven't seen the flame in each plan,
At twenty, we loved
American cinema,
It made us blind to the French praise of America,
I went to see Truffaut,
Sweet music Hubbub
,,, ,,,
-Good morning, -Good morning,
-A tight and a croissant,
-Come on !
,,, ,,,
And that's it,
-THANKS,
,,, ,,,
How much do I owe you?
-2,90, please,
,,, ,,,
-THANKS, -Good day,
-Bye,
,,, ,,,
-Good morning, The 400 strokes,
-8 euros, please,
-THANKS, -Bonne session,
-Good morning, Two places, -16 euros, please,
-I have a friend who must join me, But wait a second,
Ah,
She has not yet arrived,
-Nevermind, -I leave your ticket?
-Yes, no worries,
He blows,
-Mathieu,
Mathieu! -Oh !
-I'm sorry, -No,
-Pardon, -How are you ?
-Yes, that's fine, And you ? -Yes,
THANKS,
-Dis me, there was a boy at the coffee,
He came to see this film, An apprentice director,
-I sink into my chair,
The 4th row, on the left,
I attend the foreground of the film, Traveling before on the Eiffel Tower,
The film appears to me as a 1st time,
Trees open the frame on the left, A building closes him right,
Camera on board the car,
The image trembles,
The name of Léaud before that of Truffaut, Politeness, pride?
Modesty? I don't know, I don't care,
-We don't care,
The antenna will soon
Disappear behind the foreground buildings,
Another traveling succeeds him,
The Eiffel Tower flashes between two facades,
A crane mimic the momentum of the tower, Everything comes to signal,
Another traveling between two hangars,
I counted the plans, One, two, three, four,
*Soft music
The Trocadéro, the tower between the bare branches of the trees,
Counterattack, We arrive at the foot of the tower,
Nearby, we turn around, "Direction: Truffaut",
-Oh, it's beautiful,
-We approached, Then the tower moves away,
-Bam! -Simplicity of the story,
Beautiful as a film of light,
That morning, I knew I might make a film myself,
-Paul, you are ready,
-I don't know, I don't know, but I ,,, -If,
-In any case, I gave my technician look,
I gave up becoming a film critic,
I finally measured my years of learning,
I was ready to see, to film,
-Mmh, So what?
What did you see?
-I don't know,
In any case, The Eiffel Tower that was blinked,
It was to me that she was beckoning,
,,,
,,, He mumbles,
,,, ,,,
-What Happens to reality
When it's planned and screened,
Our enigma,
Sweet music
,,,
"Ruby's Arms" (Tom Waits)
,,,
Subtitles: Sandrine Niggeler
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